Dancers of New York Instagram Stats & Analytics

Key Averages

Dancers of New York has 11.2K followers. Est. daily gain: - with an average of - posts/day. (Based on history)
Time Until	Date	Followers	Posts	Growth
Live	2025-09-11	11,179	346	—
Not enough data.

Dancers of New York has 11.2K followers. Est. daily gain: - with an average of - posts/day. (Based on history)

Time Until

Date

Followers

Posts

Growth

Live

2025-09-11

11,179

346

—

Not enough data.

Date	Day	Followers	Δ	Posts	Δ
2025-09-11	Thu	11,179	-	346	-
Totals	-	-

Date

Day

Followers

Posts

2025-09-11

Thu

11,179

346

Totals

Answer: Honest moments with dancers

Answer: Dancers of New York has 11,179 followers on Instagram.

Answer: Engagement rate of Dancers of New York's Instagram Account is 11.08%.

Answer: Average likes are about 1,225 per Instagram post.

Answer: Average comments are about 14 per post.

Answer: Instagram Id of Dancers of New York is @dancersofny.

Answer: Worth of an Instagram post on Dancers of New York’s profile is $6 USD - $100 USD.

Answer: Dancers of New York discusses Dance, Performing Arts on their Instagram.Top captions from recent popular posts:

Aim high
“Sometimes letting that perfect line go for the sake of feeling it for yourself allows somebody else to feel what you’re feeling instead of just clap at what you’ve been able to execute. I want to reeducate dancers to be willing to let go, and I want to reeducate the audience to acknowledge that there is just as much value in something spirited and authentic as there is in something perfected and glossy. I think we’re experiencing a certain period in time where every dancer I know at 10 years old is better than I could’ve ever hoped to be at 10 years old. But when everyone is good, and everyone has something to offer that’s the same, what are we taking away from the performance and what is your audience taking away from the experience? I think we have to go back to this idea that dancers are humans first. If you like who you are as a person, you can learn to put that humanity into your dancing. If you don’t like who you are, it doesn’t matter how technically great you are at dancing—it’s going to stop short. I think sometimes maybe the audiences don’t know why they didn’t connect to something, but it stops at that “Oh, we’re suppose to clap here?” moment instead of “Why is nobody clapping? I have to clap. I am so compelled to applaud this person in their vulnerability and how I felt connected to them in that moment.” For me, and in the context of class, you have to practice that idea of letting go. It’s not going to just come to you when you’re on stage or when you have met the right choreographer, the right dancer, or the right person. It’s something you have to put into your daily practice like your tendu and port de bras.”
"In med school, I danced my first year with the Harvard Dance Program and Urbanity Underground, but then by second and third year it was just not possible. During the third year of medical school, I was looking at the Lincoln Center season schedule for Paul Taylor because I wanted to bring my boyfriend to show him this whole other life that I had [in Taylor 2]. That’s when I saw the audition for the main company. I hadn’t been looking for an audition, but when I saw that, immediately and instinctively, I was like, “I have to go.” It was not rational and not likely that I’d make the company, but I had to go. I feel like Paul had this keen sense of knowing that it was my last audition—this is not the first time I’ve heard someone say that about him. For me, that audition felt very different than previous ones because it was more freeing. As much as I wanted it, I wasn’t constrained by all the mind games that come into play. I was in my third year of med school at that point. Once I started with the main company, I took a leave of absence from school. I had one year left. I was so close from finishing school. Fourth year of medical school is a little more flexible because they’re electives. Any time I had off, I’d go back to Boston and also do away rotations in New York City. I used any time that was available. There were definitely people who believed in what I was doing and really supported me in the process and allowed me to have this atypical schedule. I graduated last May and going to keep on dancing holding off my residency for the time being." Madelyn Ho of Paul Taylor American Modern Dance, East Broadway, F Check out the full article here: https://bit.ly/2QqbvUm

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